Showing posts with label how-to. Show all posts
Showing posts with label how-to. Show all posts

How to Name an Innovation (the movie)


Design legend, Don Norman, honored me with an invitation to speak at UC San Diego Design Lab about naming innovations. My talk specifically focused on innovative product descriptors, the part of a name that establishes what the product’s category is, such as “smartphone” or “universal remote”.

Why is a product descriptor important? If you're inventing a “World’s First” product, the invention’s product descriptor should establish a category all its own. But naming a unique product category is not always easy.

In my presentation, “Naming the New”, I detail a best-practice process to develop an innovation’s product descriptor. Real-world project examples for Quell and Cinder illustrate how it works. The video is an hour long, but you'll probably learn a lot if you get through the whole thing.       

If the topic of novel product descriptors interests you — and how could it not?! — read my other posts on the topic, Describe Different and The Names of MIT Media Lab

Enjoy!


Five Ways to Create Great, Free Domain Names

Every company needs an Internet presence. With over 111 million (and counting!) .coms already taken, finding a .com that exactly matches your name is not easy.

Sometimes that’s not a big deal. I believe that it’s more important to have a great name than a great domain. For many companies, you can safely modify the perfect name with a descriptor to secure a .com. But if your website is your product, you really do need a clean domain. GoogleSearch.com would not have cut it.

Here are some creative techniques and tools that have enabled me to present scads of great, available domains to my clients. Give them a try the next time you need a clean domain.

Combine Words

This technique relies on creatively combining words that may have never been combined before (if they had been, the .com would probably not be available). Creativity is, at its essence, combining novelly, so this technique is really about good creativity.

Here’s how to do it:

Create two columns of words relevant to the new brand. List functional and descriptive words in one column, and attributes in another. Or relevant nouns in one column and relevant verbs in a second.

Then use a tool like CombineWords.com to combine column A and B in a “brute force” method. This will compel you to consider two-word names that your brain might not put together. Try swapping the first and second columns to double your productive output. Sometimes, with some words, this reversed syntax works better.

Another combinatorial technique relies on mixing adjectives and nouns to create vivid, picturable names. Make a column of colors or sizes and another column of shapes or concrete nouns. Mix and match using Combine Words or another word permutation tool.

You’ll find that some words work better than others. Refine your lists and combine them with other ideas to create longer, better lists of name candidates. This recursive technique will easily net you hundreds of candidates.

Once you have a good list, run it through a batch domain search tool to see what’s free.

These are names I have created that had free and clear .com domains using this technique:

DwellAware.com
ArtistRising.com
HometownAdvantage.com
RunBrainRun.com
BigRedArrow.com
RichPageant.com
OperativeWords.com

This technique is suitable when your name really does need to match your .com, like for a search engine, video site, photo sharing site, etc.

Don’t Use .com

Back in 2009, I predicted that .coms would be like 800-numbers. That is, companies would begin using non-.com domains and then .com would lose its exclusivity and cachet, much as people got used to seeing 866 and 877 toll-free numbers. That’s happened to some extent.

Top-level domains other than .com have gained some traction. For example, there are scads of names ending in .ly, like bit.ly and live.ly (Nancy Friedman has amassed an impressive collection on her Pinterest board). Some companies have used .net (slideshare.net) and .us (del.icio.us, before they bought delicious.com). ICANN has also blessed the issuance of new domains like .coach and .design. You could create one of your own, but it’ll set you back over $100,000.

My opinion is if the top-level domain name is a natural suffix, like –ly, or separate word, like it or me, you can get away with a non-.com name. For example, visual.ly, flip.it and about.me, but not letsfea.st (hat tip for examples from this article). It does not work so well if the non-.com domain is just hanging out there like a meatball, like secureserver.net. (Non-commercial domains, like .org and .edu, don’t suffer the same restriction because we expect non-profits and educational sites to end with .org and .edu.)

The challenge with creating great names using this non-.com technique is that there are only so many TLDs that exist, and precious few are also English suffixes or words, and fewer still are also available for all to use regardless of where your company is. Here’s my list of viable top-level domains that fit the bill:

.at
.ly
.be
.by
.do
.in
.is
.me
.to
.us

This link will take you to registrars for these TLDs, and from there you can search for domain candidates. The world could use a new bulk search engine that will let you search against the TLDs cited above. Geeky entrepreneurs, are you listening?

I have proposed alternatives to .coms to my clients when the .com is unavailable, but they have opted for an available .com based on a name+descriptor.

Light Coining

This technique is the most difficult to get right. Some online names (Flickr and Scribd and Tumblr) found their domain by ditching a vowel. Others by adding a letter (Pinterest). Others by adding a novel suffix (Spotify). Other have substituted one letter for another (Cingular, Embarq).

Here are come light coining techniques, each illustrated by a domain I’ve created:

Homestyler.com
Technique: add an –r or –er to a verb to create an agent, or try another suffix)

Lytro.com
Technique: create a portmanteau, throw in some letter substitution

Fanhattan.com
Technique: letter substitution

Zact.com
Technique: clipping (from exact to xact) and letter substitution (using z for x)

Poptism.com
Technique: clipping (from optimism to optism) and letter addition. Poptism.com forwards to Poptism.org since it’s a nonprofit.

Other coining techniques can be found here.
You can find a list of sites dedicated to neologisms here.
My other postings about coined names can be found here.

The following are two techniques you can use when it’s OK for your company name and domain to differ slightly:

Add a Descriptor

OK, let’s say you’ve found the perfect real word that’s available as a trademark for your client. Naturally, the name.com will be taken, since all real, single English words are. Just add a business descriptor, a technique that is suitable for most companies.

Domains I’ve created like this include:

RaptStudio.com
BracketGlobal.com
ScribeWinery.com
KeepsAmerica.com
PatternEnergy.com

The following names are creative leaps, but they still required appending a descriptor to get the .com:

WanderfulStorybooks.com
LaughingGlassCocktails.com

Make a Call to Action or Tagline

I have never created a domain name that is also a call to action, but it is a viable technique. My naming colleague, Alexandra Watkins, has touted the benefits of domains like EnjoyCoke.com.

For example:
ThisIsColossal.com
LetsFeast.com
PayWithIsis.com

I hope these techniques prove useful for your domain naming projects.

Good luck!

Wanderful: The Story Behind the Name

“Mickey Mantle needs a new name.”

That’s how I first heard about the assignment, when a colleague told me about his client named Mickey Mantle and his yet-unnamed interactive children’s book company.

To name a publisher, imprint an imprint, title a maker of titles; this would be a dream assignment.

The resurrection of an old brand would be the inception of this new one. Living Books, the products that created the category of highly interactive children’s books, was dormant for years. Broderbund was the original publisher and in a series of acquisition/mergers/spin-outs and ownership changes, Living Books ended up as the property of Houghton Mifflin Harcourt. Despite a decade of great success, new stories in the Living Books series were not released, and the software languished without updates to newer operating systems for PC and Macs.

Mickey Mantle, once Broderbund’s VP of Engineering/CTO and now an entrepreneur, struck a deal with Houghton Mifflin Harcourt to re-publish the Living Books series, which includes about 20 individual stories each by a variety of noted authors, including Mercer Mayer (Little Monster), Marc Brown (Arthur), Jan and Stan Berenstain (Berenstain Bears), Dr. Seuss and others. For today’s kids, the assets from the original CD-ROM titles, like  graphics, animations, sound and music, would be used directly by a new technology platform developed by Mickey’s team running on iPads and iPhones, Android mobile devices, and current Mac and PC computers.

Once again, Living Books would live, but it would have to do so under a different name. Houghton Mifflin Harcourt allowed the Living Books content to be re-published so long as the Living Books name remained theirs. That required the new publisher to use a new moniker but could include an attribution that the stories were “originally published as a Living Book by Broderbund Software” and the display of a small Living Books logo accompanying the attribution. The new name would have to coexist and contrast with the former one.
The original Living Books logo
I interviewed the founders of the company: Mickey Mantle; his wife, Natasha Krol, a PR and marketing veteran; and Mark Schlichting, an expert in child education and language development, a children’s book author and illustrator, the creator of the hysterical, award-winning Noodle Words app, and the original creator of Living Books.

I learned from them that Living Books and its reincarnation were richer, deeper and far more interactive than other e-books. Every page of every title features a multitude of tappable elements. With a dozen or more things to do on each page, children linger longer. Their attention, knowledge and imagination are strengthened as a result.

The new brand had two key facets: education and play. Because education is sometimes framed as work – homework, schoolwork, et al. – I first believed these ideas stood in opposition. Indeed, the pedagogical foundation of Living Books 1.0 was rigorous enough that thousands of schools incorporated them and accompanying teaching aids into their curricula. Even today, some schools keep legacy Macs or PC systems around just to retain access to Broderbund’s wunderkind series.

In our discussion, Mark explained to me that play actually enhances learning. If kids have fun while learning, they will engage more deeply and eagerly with the materials. The new brand and its name would have to convey that these interactive books are both educational and fun in order to appeal to kids, parents and educators.

The new name would also have to stand out in the absurdly crowded iTunes and Android marketplaces (500,000 apps and counting). Presented with a list of hundreds of interactive book choices, the brand name needed to leap off the screen to catch the attention of a busy parent or impatient child.   

I wrote name objectives that assimilated and synthesized the interviews and background research into one page. With the criteria for name development and selection established, creative development could commence.

Quoting Maurice Sendak, who passed while this naming project was in development: Let the wild rumpus start!
The Internet was my creative playground. I discovered inspiration researching children’s words, vocabulary acquisition and development, “Dolch” words, fairy tales, games, verbs, exclamations, and children’s word play. Foundational words like fun, happy, laughter, tickle and learning were fed into corpora engines, word lists and other online naming powertools like Wordnik, Sketch Engine, and OneLook. Specialized children’s sites like Lanternfish supplemented my longstanding resources, as did primary research with my nieces and nephews. Watching the kids, who age from 4-7, play with a beta version of Living Books on my iPad demonstrated its power; they threw themselves into the stories and played with rapt attention.
Here’s a list of some of the creative searches I did online. Please consider this list a handy resource for your naming projects:
action verbs
animal sound verbs
baby talk
cvc words
double letter words
first verbs
first words
frequentative
fun words
funny laughter words
happy-happy joy-joy
i am talking
idioms for kids
idioms in education
laffterglow
language acquisition
language development
the first words that children learn
learning words
list of verbs
meanings pictures sentence list
movement-fast
movers and shakers
my dogs words
my little ponies
of imitative origin
onomatopoetic
phrasal verbs list
place names of distinction
potionbook
punkin words
rhyming words
songs
sounds
stragglers
that’s funny
time to be cute
verbs
verbverse
wander
wander rhyme
wonder
wonder rhyme
wordplay is child’s play for punsters
words my 19 month old daughter says
words used by or to young children
I also used Sketch Engine quite a bit. Here are some of the terms searched for this project. Bear in mind that Sketch Engine requires a paid subscription (well worth it!) and thus links will work only after you've logged in:

These lists illustrate how different resources can be used to delve into one idea, and the surprising sources of inspiration that can come up when you’re freely exploring (my little ponies!). These offer glimpses into a naming mind.
 
The stories in Living Books are playful and multidimensional, and I strived to create names that were, too. Making frequent use of a specific creative technique – letter substitution – generated scads of such names. It’s the same method I used to name Fanhattan and BrainForest.

The words wonder and wander, being one letter apart, were already mingling. I researched all English words that contain wonder, and respelled those results with an a. Thus, wonderful became wanderful.

Wanderful is packed with paradoxes. It brings together many ideas, yet is perfectly simple. It is a new word that feels familiar. It is as surprising as it is comforting. Wanderful describes the books, full of joy and the invitation to explore. It describes the free-form play afforded by Living Books’ expansive and non-linear interactivity. It describes whimsy and curiosity, delight and enrichment.

After preliminary screening, Wanderful was presented along with 30 other candidates. The client team deliberated and chose Wanderful plus a few backup names for full legal vetting. Upon clearing, Wanderful was adopted as the final name.
The wonderful Wanderful identity designed by Wild Out West
The Wanderful icon, now available at an iOS app store near you!
It might be coincidence, or maybe zeitgeist, that the day before Wanderful was announced in June, the New York Times Sunday Review featured this passage in an article about presence and happiness:
“In a modern world, when can we come closest to our original, thought-free happiness? Well, the Harvard psychologists noted that, after sex, the two activities during which we are most fully in the present, are conversation and exercise. Rousseau saw this as well; but forget the treadmill: he lost himself in mountains and valleys and, while walking, conversed with himself. Indeed, ‘Reveries of the Solitary Walker’ is a manifesto on the benefits of wondering while wandering.
The Wanderful brand launched ahead of the books themselves. Starting today, Wanderful Storybooks will be sold in the iOS app store for $4.99 each. Android and Kindle versions will soon follow

It’s a Wanderful launch party: Mark, Anthony, Mickey

Congratulations Mickey, Natasha and Mark: What a Wanderful world this will be!

Look for Wanderful on the iOS app store, Facebook, Twitter and on their home page.
 

Pause: A Brand For Our Time

One afternoon, an entrepreneur named Ben Tabai called me. He liked my blog, and wanted to know if I was interested in helping him name a new relaxation beverage. The opportunity was so unusual, so exciting, that just developing the name didn’t feel like it would be enough. I proposed that Operative Words also develop the tagline and provide creative direction on the brand identity and packaging. Our mutual enthusiasm sealed the deal.

This project began, as all do, with learning about the product category. I discovered that the emergence of relaxation beverages bears significance. More than just new products on the shelf, relaxation beverages are an inevitable outcome of our times.

Let’s consider their larger context. Advances in technology enable people to be constantly connected. Social networks and societal expectations urge an immediate response to every email, tweet and text message that comes our way. As a result, we have become overloaded and under-rested. It’s no wonder that relaxation beverage sales doubled between 2008 and 2010, and is projected to double again by 2014. Our growing need to unplug is reflected in articles, springing up everywhere.

The names of current relaxation beverages reflect the opposite of our connected world. More analog than digital, the names have a vacation/zen/escape vibe. There’s surprisingly little differentiation:
Dr. Zen’s Liquid Calm
RelaxZen
Serenity Zen
Ichill
Minichill
ViB (vacation in a bottle)
Tranquila
Mellow
R&R
The problem with these names is they are removed from workaday reality of today’s connected urbanites who have the greatest need to disconnect. They don’t reflect the hectic and demanding lives that characterize BlackBerry-next-to-the-bed workers. Aspirations to take a vacation in a bottle or retreat to zen serenity feel more like wishful thinking and suggest promises that can’t be fulfilled.

People who are overworked and always connected do need relaxation. But relaxation should be framed in a real-world and relevant context, not as a pie-in-the-sky, day-at-the-beach fantasy. Therefore, I recommended this new beverage should make relaxation practical and relevant. It should be inspired by, and be a part of, our digital, connected world.

Allow me to take a short detour and provide instructive details about the creative naming exercise that led to Pause.   

In developing creative directions for a naming project, it’s most fruitful to broaden core functions or benefits to more conceptual, expansive ideas. Creative development for this new brand required thinking about relaxation broadly and its context narrowly. Rather than just focus on relaxation, bigger ideas like change, decreasing, cessation and ideal end states were considered, specifically within contemporary and vernacular domains.
 
The ultimate name came up during a creative ‘excursion’ to the ‘world’ of electronics. An excursion is a brainstorming technique that inspires by analogy. I learned about excursions at Lexicon, where I was trained in Synectics problem solving by John Prince, whose father, George Prince, invented Synectics. Excursions are part of the Synectics process and an indispensable part of my creative process. Excursions are related to the ‘cloaked brief’ technique which I described in Creative Names the Easy Way.

Here’s how to use excursions to create brand names: Choose a key attribute or idea that’s essential to the new brand (in this case, change). Then, choose a ‘world’ that’s distant from the actual product category (for example, electronics). From there, brainstorm examples of the key word in that world. For example, change in the world of electronics would lead us to names like Toggle, Switch, and...Pause.

Electronics is an excursion world I came up with, even though there are many already in the Synectics roster. Here’s a list of other worlds to inspire your creative development:

007
Acoustics
Agriculture
Animals
Archaeology
Architecture
Art
Astronomy
Biology
Bridges
Cartoons
Celebrations
Chemistry
Clothes
Comedy
Computers
Cooking
Cosmetics
Crafts
Crime
Decoration
Dinner Parties
Dwellings
Economics
Education
Electricity
Electronics
Espionage
Exploration
Famous People
Fantasy Sports
Farming
Fashion
Films
Finance
Folk Lore
Games
Gardening
Geology
Health
History
Journalism
Kitchen Implements
Law
Machines
Magic
Mathematics
Media
Medicine
Metalwork
Minerals
Models
Money
Movies
Music
Myths
Noise
Nursing
Oceans
Parenting
Physics
Plants
Psychology
Racing
Religion
Rocks
Romance
Science
Science Fiction
Sculpture
Shopping
Smells
Space Travel
Textiles
Theater
Transportation
Tribal Customs
Vacations
War
Weather
Woodworking

Through excursions and other idea generation techniques, over 900 potential names were developed for this assignment. A shortlist of several dozen candidates underwent preliminary trademark screening. About 30 names were presented to my client. 

Demonstrating keen judgement, the client zeroed-in on Pause. The name was unexpected yet relevant. Pause could be a philosophy, a mandate, and maybe even a movement. Enthusiasm was had by all. 

After Pause was vetted by the client’s legal counsel, the naming was complete. The next step was to develop a tagline. This proved to be more challenging than naming, perhaps because there were more creative possibilities, directions and objectives.

It was the general direction of time that inspired the best work. Take ownership of your time as a specific tagline direction, reflected the day-to-day demands that can make people feel as if their time is not under their control. A related tagline direction, be present now, is a cornerstone of mindful relaxation and de-stressing regimens, and therefore benefited from existing validation.

After two rounds of tagline creative there were plenty of good ideas, but nothing that quite rose to the level of the name. I called a colleague, Daniel Meyerowitz, to talk about the taglines. He’s the best marketing writer I know; I can always count on him to inspire great work.

Upon review, Daniel dismissed anything that sounded old-fashioned or new-agey. The most promising taglines were imperatives, especially those that would incite people to, in Daniel’s words, “reclaim now”. We talked about the power of owning the moment – being present and mindful – as an effective antidote to stress and worry. Then suddenly, I heard myself say, “make now yours”. It seemed like the words spoke themselves through me.

Daniel calmly said, “that’s it, that’s the tagline”. Make Now Yours is a call to action urging people to take control of their time. Relaxation is, as suggested by the tagline, really about coming back to yourself and being the present at this moment. Make Now Yours feels fresh and contemporary and fits with the name. Tagline: done.

Writing for the back of the bottle was also needed. I recall that Ben wrote the first draft, I wrote the second, and Daniel provided valuable direction and advice for this final version:
Sometimes the best way to recharge is to unplug. How? Naturally, with chamomile, lemon balm and wild oats to calm your mind and vitamin B’s and green tea antioxidants to clear your head.

Get back to your productive best with a Pause and a few minutes of downtime: Step away from your work and the screen to let your body and mind reboot.


You’ll be ready for anything and everything when you take control and make now yours.
Writing: done.

With the word work complete, it was time to express the brand visually with a logo and packaging. Ben engaged several designers from around the world who submitted sketches of their ideas. I continued in my role as creative director of the brand by reviewing work, insisting on simplicity, and guiding creative to reflect the spirit of the brand.

The leading logo built on the name by incorporating a pause symbol in the letter u of Pause. It was elegant serendipity: by sheer accident, the symbol was centered perfectly in the word.
Behold: the Pause logo
Like the name and logo, the packaging design for Pause would also have to reflect our wired lives. Ben Tabai, my client, was on the front line, evaluating over 120 initial designs and then sending to me those that passed muster. Ben accomplished an enormous task in time and judgement. In my estimation, the most intriguing packaging candidate had its origins in ISO-like icons and modern vernacular: In the foreground, silhouettes of two people lounged on a bench while around them, in tinted colors, were busy workers on their cell phones and on the move. The silhouettes sat calmly amid the commotion. The graphics depicted a modern-day still life. Here’s an early rendition:
Good, but not quite there.
The design was simplified and polished. Instead of two people lounging, there would be just one. Instead of a bench, the figure sat back relaxing in an office chair. Appetizing imagery of fruit was added. The typography and layout was refined again and again. Packaging design: done.
Get your paws on Pause. 
With the core brand identity and packaging complete, the client brought the brand to life in other media. There’s a website, Facebook presence, and periodic pop-up Pause relaxation stations that give hardworking people a chance to pause, drink Pause, and pause for a chair massage.

Clients get the work they deserve. Judging by the results of the Pause branding effort, Ben Tabai deserves high praise – and sales! – for his strong judgement and hard work. As Ben’s first branding endeavor, Pause precedes what will undoubtedly be an enduring and successful future.   
 
That’s the story of Pause, a brand for our time.

How to create names using the world's most powerful naming tool

 
Words inspire me.

The more words I see, the more inspired I become. So when I create brand names, I want to be overwhelmed by endless lists of words.

Publications and dictionaries offer words in abundance, but they don't offer an easy way of discovering masses of words relevant to specific ideas or attributes, such as those found in a naming brief.

In my experience, a corpus – a large sample of words in context – is the most useful and comprehensive stockpile of words, especially when searchable in a database.

I have several go-to corpus resources, but one favorite: Sketch Engine.

Sketch Engine: The Most Powerful Naming Tool I've Ever Used
Published by Lexical Computing, Sketch Engine has over 60 corpora to choose from. There are seven English corpora, each comprising millions of words from spoken and written sources. The other 50+ corpora are non-English, spanning the familiar to the exotic. If you are looking for a corpus of German, the Polish Bible or Igbo, you're in luck.

Some of the corpora you'll find on Sketch Engine

How to Create Names with Sketch Engine
My starting point for creating names is a review of the name objectives I've developed, particularly the brand's key attributes. To show what Sketch Engine can do, let's pretend we're naming a new brand that should be perceived as strong.

Sketch Engine will provide a deep exploration of the word strong, and inspire names that are differentiated yet relevant.

After logging-in to Sketch Engine – which requires a well-worth-it paid subscription – I click on a specific corpus link to load it. I choose UKWaC, comprised of a mind-boggling 1.3 billion words culled from UK web sites.

Having loaded the corpus, the option to make a concordance is presented by default. Concordances are a great tool for creating natural-sounding compound names because they show how two words have appeared together in a real-world written or spoken context. For example, a concordance of the word "sun" would include beam, burn, flower and moon -- words that commonly appear next to or near the word "sun".

But we're not going to do a simple concordance because another, more powerful tool is available: Word Sketch. A Word Sketch is a like a concordance on steroids. It shows you every word that has appeared next to your query word, organized by part of speech.

Click Word Sketch on the left to get started

Let's make a Word Sketch of the word "strong". Click Word Sketch in the blue box on the left, and you're asked to enter a "lemma". A lemma is the most basic form of a word, as you'd find in the headwords of a dictionary. Enter "strong" in the lemma field and choose "adjective" from the pop-up menu.

After clicking the "Show Word Sketch" button, we're presented with listing tables of the specific words that have appeared near or next to "strong" in the texts of the corpus. Tables are organized by grammatical context and include frequency information about each collocation.

Before studying our Word Sketch of "strong", click "More data" in the blue box on the left to fetch more results. Click it a few more times after the data loads to get even more results. And you do want more results, right?

Part of the Word Sketch of "strong"


Our Word Sketch of "strong" can be used in different ways to create new brand names.

How to Create Compound Names with Word Sketch
To create compound names that include "strong", navigate to the "adj_subject" and "modifies" columns. These words have been modified by the adjective "strong". Combine "strong" with them and you'll have a nice list of natural-sounding compound names:
Strong Tide
Strong Bond
Strong Wind
Strong Link
Strong Force
Strong Lead
You can also consider these words without "strong" as stand-alone names or combine them with other words.
Scroll through the Word Sketch to explore further
The columns "adj_comp_of" and "np_comp_of" include words that naturally precede "strong", giving us potential names – or slogans – like:
Feel Strong
Grow Strong
Stand Strong
Think Strong
How to Develop Symbolic Names with Word Sketch
Our Word Sketch also tells us what symbolizes strong. To see what's "stronger than ___" or "as strong as __", navigate to the columns "pp_than_i" and "pp_as_i":
Steel
Desire
Bond
Fear
Love
Force
Ox
Alloy
Rope
Lust
Glue
Armor
Can your dictionary do that?

Some of these words will combine well with words from other columns, giving us interesting ideas like:
Steel Bond
Tide Force
Alloy Strength
Oxwood 
Discover New Creative Directions with Word Sketch
The column "and/or" tells us what words combine with "strong" in an and/or phrase. This is helpful for finding words that pair with "strong":
Healthy
Durable
Fit
Vibrant
Stable
Tall
Brave
Independent
Thick
Bold
You can use these words as springboards for new creative directions that indirectly reflect "strong". For example, "tall" and "healthy" could be separately explored for synonyms, associations and metaphors that lead to new, relevant names.

A Totally New Thesaurus 
Sketch Engine also features an interesting thesaurus that gives you options Roget never thought of. The results from this thesaurus are generated automatically, so they include words that aren't synonymous yet are related.
No ordinary thesaurus

Click the "Thesaurus" link in the blue box, enter your lemma and choose the part of speech. The results of "strong" offer these interesting ideas:
Real
Clear
Big
Positive
Original
You might find viable names in this thesaurus or springboards for new directions.

Compare Two Concepts Using Word Sketch
Sketch Engine also has a word comparison tool called Sketch-Diff which reveals the intersection of two words. Let's imagine that we're naming a technology brand that should be perceived as strong and fast.

What qualities do strong and fast have in common?

Click "Sketch-Diff" on the left and enter "strong" for the first lemma and "fast" for the second. Then click "Show Diff".

Learn what two words have in common

The result is a an integrated Word Sketch, color coded by the degree to which words collocate with one word or both. Words in red or green collocate with one word, and words in white are common to both.

A Sketch-Diff comparing "strong" and "fast"
Here's a sample of what strong and fast have in common:
secure
loud
fit
flexible
light
tall
connection
growth
response
action
car
flight
flow
time
To create names that reflect both strong and fast, use words from this list as springboards. Digging into the concepts of connection, travel (car and flight), flow, and growth will lead to new names that support or connote multiple aspects of the brand.

In the 20 years I've been creating brand names, I've used a lot of naming tools, but no one resource has been as useful as Word Sketch. Learn how to harness its power and you'll always be inspired.

Bullshit-Free Branding

This article accompanied my speech at the 2010 Pivot Conference, in NYC.

 Let’s be honest: There’s a lot of bullshit in branding.

It’s a pity — and it’s a threat. Because today, brand or marketing communications exuding any whiff of bull will be distrusted, discredited and derided by today’s cynical audiences.

And no audience is more cynical than the 18-34 years-olds — the Millennials — who were born into an online marketplace awash in spam, paid “user” reviews, phishing and other greedy deceptions.

These cynics can sniff out bullshit from a mile away. Actually, they’re waiting for it. And when they zero-in on the source of a communication’s stench — an exaggeration, an ambiguity, an inconsistency, nonsense, a promise too good to be true — they’ll pounce. And rather than just take their business elsewhere, they’ll take up a cause to expose and punish the bullshitting offender by urging others to boycott.

Bullshit-free branding has always been important. Today it’s important and urgent.

Because nowadays, you can’t fool any of the people any of the time.

Armed with Snopes, mass reviews, WikiLeaks and other trusted sources, everything a company claims can and will be verified, almost instantly. Every pissed-off critic holds a megaphone and now the whole world can hear their rant.

Online customer rants: Not good for business.

So what exactly is bullshit, this offensive toxin?

Based on my deep-dive research into bullshit, including On Bullshit by Harry G Frankfurt, Deeper Into Bullshit (pdf) by G.A. Cohen and Your Call Is Important to Us: The Truth about Bullshit by Laura Penny, I’d define “bullshit” as any communication that is:
  • Nonsensical
  • Insincere or disingenuous 
  • Unclear and unclarifiable
  • Exaggerating
  • Inaccurate or
  • Not believable
Bullshit is like obscenity: We know it when we see it. These are some specific indicators of bullshit in branding:
  • Anything too good to be true
  • Exaggeration, superlatives and hyperbole
  • Proprietary claims
  • Weasel words
  • Vagueness and ambiguity
  • Omissions
  • Euphemisms
  • Triteness and clichés
  • Inconsistency
  • Dishonesty
For cynics, this list practically defines marketing. But it doesn't have to be that way.

Marketers would be well-served to avoid these customer repellents and instead practice bullshit-free branding.

So what's bullshit-free branding? It's brand definitions and communications that pass the SNIFF test:

Self-aware

Your brand should not try to be more — or less — than what it is.
Natural
Writing, ideas, and brand names that are not contrived

Integrity
True to itself and customers


Forthright
Straightforward, revealing, sincere, specific

Factual
Claims are true, verifiable and evident; endorsements are earned not purchased

You can't fake your way through this. It takes honest marketing to pass the SNIFF test:
  • Be who you are and act that way
  • Wear your consumer hat
  • Be real and honest but not folksy
  • Write simply and clearly
  • Be specific
  • Avoid triteness, clichés, weasel words and exaggeration
Beyond the tips offered here, there are books and online resources to help you practice bullshit-free branding:
Follow the advice I've offered here, read the resources and links provided, and use the SNIFF test to evaluate your brand communications to ensure they remain bullshit-free.

And remember: Let's be honest.

Please share your ideas on how to create and evaluate bullshit-free branding.

- Anth

Thanks to Amanda "Gucky" Peterson, David Schargel and Matthew Cross for their contributions.

Red Flags and Red Herrings: How to check brand names in foreign languages


Nova does not mean "it doesn't go".

The marketing myth persists that the Chevy Nova did not sell well in Latin America because "no va" means "doesn't go" en Español.

But the Nova legend is a lie -- a tenacious one at that. In fact, the car sold quite well in Latin America where Spanish-speaking consumers did not make the connection between Nova and "no va". Snopes documents the proof and Mark Liberman of Language Log refutes "false factoids" such as the alleged failures of the Chevy Nova and other brand names.

Although the story is fiction, it's irrefutable fact that Nova and "no va" are strikingly close.

But close is no cigar.

Apparently, even minor differences in spelling, sound or stress will distinguish two nearly-identical words. In this case, Spanish "no va" is two words and is accented on the second syllable. Just one space and a different pronunciation insulate Nova from "no va", as the word "legend" does not make people think of  "leg" and "end". 

It's now known that GM was aware in advance about Nova's  "doesn't go" issue, yet decided to go with it anyway.

If you were in GM marketing and learned before launch that Nova sounds like "no va", would you reject it?

It'd be hard not to. Fer chrissakes, they're nearly identical!

The whole point of a native speaker check (sometimes called a "cultural-linguistic check") is ostensibly to root out names with inappropriate foreign language associations, so how could a whopper like Nova/"no va" slide? 

Yet slide it did.

And in the end, Nova did just fine in Latin America.

Stranger than the fiction of a GM flub, is the truth that a brand name and its near-homonym remain distinct in the mind.

This phenomenon presents us with a native speaker check conundrum: 

How can red flags and red herrings be distinguished?

Which inappropriate foreign associations represent true problems and which are false alarms -- all bark and no bite?

I've compiled here principles and practices to make sense of native speaker checks and their nuances.   


A native speaker check should be separate from other name validation research.

An accurate observation of potential foreign language issues should be the singular objective of a native speaker check. This limits confounding variables. 

Ask a sufficient number of native speakers.

Several respondents helps distinguish idiosyncratic associations from those widely shared. I've found that the three, independent respondents are sufficient. 

Determine the right languages.

These are the usual suspects for most "global" naming projects:
French (Europe and Canada)
Italian
German
Spanish (Europe and Latin America)
Portuguese (Europe and Latin America)
Mandarin
Cantonese
Japanese
This can be expanded as appropriate to include the languages of Scandinavia, southeast Asia, the Mid-East, eastern Europe, etc. But, the task becomes more difficult and costly as the number of names and languages increase.

Multinational organizations have to weigh a cost-benefit equation. To save costs, most companies will check only a standard version of a language but not minor dialects; German: yes; Swiss German: no.

But some companies will, for peace of mind, invest in screening names in every language or dialect wherever they do business or might someday. I saw that firsthand during the Accenture corporate naming program, in which 50 candidate names were evaluated in 65 languages, each with three, in-country speakers. Clearly, Accenture thrives on peace of mind.

Ask for observations, not opinions.

You need to know specific and detailed information about the foreign words or phrases that resemble your name candidates. Do not ask foreign speakers about which they "like". Your questions to respondents should elicit observations, not opinions.

This is what I ask:
How will this word be pronounced by a native speaker of your language?

Is the word similar in sound or appearance to other words in your language? If so, what are those words, how are they pronounced, and what do they mean?

Is the word similar to other brands in your country? If so, what brands?

Are there any inappropriate associations that a native speaker of your language might have with this word? If so, what exactly are those associations and why would they be associated?

Do you, as a native speaker of the language, find this word relatively easy or difficult to say? If it’s relatively difficult, what sounds in the word make it difficult?
The answers reveal more than name associations. They also detail the proximity in sound and spelling to the foreign word associations. This information will help you judge the results.

That's the hard part of native speaker checks: Interpreting the data and making the right judgment calls.

Consider these factors to strengthen your judgment of native speaker responses:
How similar are the name and its associations in sound and spelling?
Pay close attention to those identical. 
How prevalent are the name associations among respondents?
If every participant has the same association, it's more likely -- though not certain -- to be widespread after launch.  
How important is the market where the name might be a problem?
Maybe it doesn't matter that your brand means "ugly" in Igbo. 
What's the culture in the country where the name could pose a problem?
An inappropriate association might be acceptable in one country but not another.
Native French speakers, in my experience, make naughty name associations so predictably, I wonder if such skills are a point of national pride, like the Eiffel Tower or cream sauces. Francophone responses I take with a grain of sel. In China, less tolerance and preponderance of negative associations makes them more damning.    
Will the name inspire marketing communications that divorce it from unwanted associations?
When Wii and Banana Republic launched, communications were built around their names. Wii's anthropomorphized vowels bowed in animation to help set it apart from "wee (wee)". Banana Republic deflected pejorative associations by silkscreening jungle critters on t-shirts bearing their name.    
Is the name also a real word in English?
If so, negative associations are more likely to be overlooked. English has name cachet in many countries. 


What's the product category?
Offensive associations are more damning for food, beverage and personal-care product names than for electronics, software and other things we don't put in or on our bodies. And mom won't buy children's products with names connoting danger or risk.
 
Who's the customer?
Play it safe with names intended for audiences with conservative or traditional values. This applies to geographic segments (e.g. the Mid-East), demographic ones (e.g. the elderly) and certain industries (e.g. insurance). Some audiences are attracted by controversial or contrarian names. Four-letter retailer FCUK targets young iconoclasts, not elderly conservatives. And unlike adults, kids are undaunted by gross-out foods like Garbage Pail Kids, White Chocolate Maggots, and booger-flavored jelly beans; just don't expect Mom to pick them up on the way home.  
These details will inform your decision, but they might not make it easy. A mitigating factor called the "positivity principle" complicates things -- but also illuminates why the name Chevy Nova wasn't actually a problem in Latin America.
The Positivity Principle:
When people see a brand name in the real world -- on a sign, package or business card -- they assume it's intended it to be perceived positively.
When a proposed name is seen the context of a native speaker check or naming research -- when names are presented as hypothetical or speculative -- the positivity principle doesn't manifest so negative associations are easily triggered. Prospective names do not yet have validity conferred upon them because a company has not yet adopted them.

Imagine how Virgin, Motley Fool, Yelp, Alibaba, the Gap, Dirty potato chips, and Bazooka gum would have been excoriated as part of an English native speaker check. Yet, as living brands, they evade obvious, unflattering associations.
 
These names are given the benefit of the doubt because (1) they have already been adapted and launched by companies and (2) they harbor positive and relevant connotations that divert attention from negative denotations:
  • Virgin symbolizes the philosophy of conducting business as it's never been done;
  • A Motley Fool was the only one who'd tell the king the truth; 
  • Dirty Potato Chips are called that because the potatoes' natural juices aren't washed away before frying.
The positivity principle has limits. You can't just go and adopt offensive names willy-nilly expecting they'll be warmly received by everyone.

The positivity principle does not seem to benefit a name whose negative connotations have no conceivable positive relevance to its product. For instance:

Calpis
This Japanese beverage is marketed as Calpico in the States because the original name sounds very close to "cow piss". When you're selling an unfamiliar, foreign beverage at retail, it's best to avoid anything disgusting.

Reebok Incubus
Apparently Reebok didn't know that this is a demon that attacks women in their sleep. If Reebok had, this word wouldn't have been used as the name for a short-lived women's running shoe.

True naming blunders like the Reebok Incubus are rare, though it might not seem so. Infamous naming gaffes are retold again and again in the media, belying their actual rarity. Yet the examples typically trotted out for public pillory -- Chevy Nova, Ford Pinto, et al. -- are pure fiction.

In the end, it might not matter that a brand can be a bad word in foreign dictionary and yet be a good name to those foreign customers. If enough journalists mock the moniker, it could turn a red herring into a red flag. International name problems, even imagined or manufactured ones, are still problems. The public's perception will become a company's reality.

A native speaker check can help a company make a fully-informed name decision. But it is just one data point, and one which can easily mislead. The greatest risk to a business might not be the adoption of a potentially offensive name, but the rejection of a truly great one.      

I hope the principles and practices I've outlined here will help you distinguish native speaker red herrings from red flags.

Just remember to:
Ask the right questions...
listen closely to the answers...
then, on occasion, ignore them.

An equal and opposite reaction: How to wrangle emotions and subjectivity in a naming program


Mel Brooks was asked, "What's the hardest part of making a film?"
He answered, "Cutting all those little holes in the sides."
   
Naming's like film. The hardest part of making a brand name is the cutting of little holes in the names. In other words, idiosyncratic and subjective reactions — poking holes — are what really make the naming process difficult.

Because emotions and subjectivity are an inevitable part of the process, it's helpful to know how to work well with them.

In the second half of my interview with Irene Gil of Grasp, I discuss key principles and practices for naming practitioners. Her verbatim Spanish translation can be found here.  


Q: It is incredible the quantity of emotions that are managed during the process and how political the decision can be. How can be anxiety managed? How to avoid that names with a good brand potential are rejected at a first sight?
Anthony Shore:
No matter how hard one tries to make it an objective exercise, naming is subjective and emotional. Each client in a meeting has their own associations with a word; it is often assumed — incorrectly — that others will have the same idiosyncratic associations.

Here's how I wrangle the emotions and subjectivity that attend brand naming programs:

Each client needs to feel that their opinions and ideas have been heard throughout a naming program. Active listening, that is re-stating what the client said, shows you've listened. So does writing it down. It's vital that your naming creative brief reflects everything important you've heard; a name presentation should repeat the most important points of your creative brief, and name rationale should feature those same points.

If a client asks you to explore a word or an idea or a name style in your creative work, do it, even if you disagree. You are obliged to advise the client of your concerns, but it's really in your best interest as a naming practitioner to fulfill the client's request. Failure to do so might make the client much less receptive to your names. That same client could "poison the well," and make offhand, pejorative comments that derail other names.

It's often true that good candidate names — especially highly differentiated ones — may be rejected by clients, leading to the brander's paradox: Differentiated ideas are essential to effective branding, yet differentiated ideas are initially rejected simply because they are unfamiliar.
I delve into this topic in Instinct as Enemy where I recommend these techniques to rally support for new and unfamiliar names:

Repetition
Each candidate name should be said several times so it begins to feel familiar.

Analogy
When a presenting a differentiated name, give your client examples of other successful product or company names that are comparable in style, metaphor or construction. When a client sees that someone else has tried the same naming approach and succeeded, they'll warm up.  

Context
Presenting candidate names in a real-world context, like a business card, web page or building sign, helps make the candidate name seem less speculative and more like a real, de facto brand.
Q: What do you think should be the role of research in a naming process? Do you recommend the naming test?
Name research must be done mindfully and for the right reasons. In Decisions, Decisions: How to Research Brand Names, I write that research should not be used to "pick a winner." Instead, research should illuminate the names' relative ability to support the brand positioning and attributes. Research can reveal "red-flag" associations and provide creative ideas for messaging and launch of a name. Research can neutralize some of the subjective associations and political dynamics around names.

Name research should not ask customers what names they "like," whether the names "fit with the category" or if they are "memorable." I advise against using focus groups for name evaluation and instead suggest one-on-ones. Focus groups can be useful before naming begins to learn what features or benefits are important to them and what their "pain points" are. This understanding can guide the brand positioning and inform the naming strategy.
Q: Having conducted the Accenture huge naming process, what do you think of employee's competition?
As I mentioned, I believe that great names can come from anywhere. Naivete can inspire wonderful names or terrible ones. Accenture notswithstanding, whose name was developed by an Accenture employee, an employee competition will not very likely bring forth a good, trademarkable name. In my experience, employee contests tend to garner names that are descriptive or obvious. 
Perhaps most problematic, an employee naming contest signals that it's not a difficult, strategic or terribly important matter. Companies do not throw contests asking which competitor should be acquired, whether a line of business should be divested, or how their flagship product should be positioned.

Q: When you work in global names, how do you assure there are no negative connotations in other languages?
You need to ask the right people the right questions and evaluate their answers critically. When people are exposed to candidate brand names in a linguistic check, there are personal associations that would not arise after the name is adopted and launched. The challenge is to determine the nature of foreign speakers' associations. You have to make a judgment: Is a negative response to a name just one person's idiosyncratic reaction or will it be widespread? And if a negative reaction is likely to be widespread, does that really matter?

For example, if Nintendo tested the name Wii for negative connotations in the U.S., it would have bombed mightily: It's homonymous with a childish word for penis and peeing. Yet, the name and product have succeeded because (1) the product's appeal eclipsed its giggle-inducing name and (2) the name was brought to life with animation (the two "i"s bow) and nomenclature (Wiimote). Today, you can ask someone to come over and play with your Wii without getting slapped.

As the success of names like Wii, Virgin, Motley Fool and Banana Republic demonstrate, negative connotations aren't necessarily bad.

These are some of the questions I ask when conducting native speaker checks: 
How will this word be pronounced by a native speaker of your language? 
Is the word similar in sound or appearance to other words in your language? If so, what are those words, how are they pronounced, and what do they mean? 
Are there any inappropriate associations that a native speaker of your language might have with this word? If so, what exactly are those associations and why would they be associated?
Q: Do you think brand names have to be liked by the majority of the target audience or is it good to provoke a certain controversy at least in its launching?
With time and exposure, people will grow to like a name, no matter how they felt about it at launch. The day Accenture launched, a few people quipped the name sounded like "dentures." On day 2, nobody did because the name took on an identity all its own. That happens with all names.

A name is liked as much as the product or company it refers to.  If the product is great, people will think better of its name than if it's lousy. The name Andersen Consulting was revered when a judge compelled the company to rename. Months later, when Accenture's former parent company, Andersen Worldwide, melted down because of Enron, the Andersen name was rendered toxic. Accenture, even though it was a new name, became even stronger and more favorable in the aftermath.

Controversial names have the benefit of being different and memorable; they trigger strong emotions that forge a bond. These are desirable traits in a name. But a controversial name should be borne from the brand positioning. Irrelevant controversy can undermine or overshadow brand messaging. For example, the name FCUK is controversial but well-suited for rebellious teens. But the recently launched Kraft iSnack 2.0 didn't work, even as a "next generation Vegemite." The name was retired after just a few weeks of public ridicule. Cheesybite, a suitable, not-stupid name, took its place.
Q: In my experience, to find a good name is just 50% of the task. The other 50% (or even more) is to convince the company that it is the adequate decision. Do you agree?
For most projects, generating a list of strategic and fresh names is not that hard, especially when you've been doing it for 30 years. Convincing a roomful of clients to adopt the best one is another matter. It's when the rubber hits the road, when clients balk at or mock your names, where experience in naming makes a huge difference. An experienced namer will be able to persuade a client to adopt a powerful, meaning-laden, real-word name or a controversial one. An inexperienced namer might be able to sell-in a name, but it will probably be an "empty vessel" coined name that doesn't arrive with much meaning. Names that don't say anything also don't have much to criticize...or to love.    

Thank you, Irene, for translating and sharing my thoughts with your Spanish readers.